Zach Prather teams up with Willie Dixon’s legacy at Dixon Landing …
The News Review:
- Zach Prather teams up with Willie Dixon’s legacy at Dixon Landing …
- Enjoy this performance of Portuguese blues music
- Music Review | Van Morrison A Precise but Mirthless Tribute to …
- Music Review: The Moody Blues – Go Now – The Moody Blues #1
- Whither The Blues? Music’s future
- Kellerman releases second CD of pop songs
Zach Prather teams up with Willie Dixon’s legacy at Dixon Landing …
1888 Press Release (press release)
However it was not the local Blues players that influenced Prather then rather the British invasion groups such as the Rolling Stones the Kinks Small Faces and The Who. By teaming up with the Dixon legacy the two are sure to generate a great buzz for Zach’s music. “It’s a breath of fresh air for the music industry. It turns the corner for the direction of blues music” says Alex Dixon on Zach’s CD “FREAK”. “We are very happy to be working with him and look forward to great things to come. “FREAK” is available for download on several digital sites including iTunes and Amazon. For information about other releases and upcoming projects on Dixon Landing Music please visit the website.
Enjoy this performance of Portuguese blues music
Atlanta Journal Constitution
Contest ends Sunday March 8 N PURCHASE NECESSARY. Contest is open to Georgia residents except employees of The Atlanta Journal-Constitution Ferst Center for the Arts and immediate families of the same. Contestants under 18 must have a parent’s permission to play. Contestants must enter their email address to play; failure to do so will result in disqualification. Not responsible for failure to receive entries due to transmission failures or technical failures of any kind. nly one entry per person per giveaway; more than one entry will result in disqualification.
Music Review | Van Morrison A Precise but Mirthless Tribute to …
New York Times
First came the delayed gratification: he began with an hourlong set consisting mostly of album cuts and curios. ccasionally he was clarion clear — the soft-loud dynamics of “So Quiet in Here” were arresting and “Who Drove the Red Sports Car” was an impassioned holler (“Read your Bible! Read your Bible!”). When he strayed from his own songbook he sounded invigorated as if trying to renew his lineal claims: the aforementioned Ray Charles cover soon followed by Mr. Morrison playing scraping arch alto sax on the standard “St. James Infirmary Blues. ”But too often Mr. Morrison mumbled either in a race to get through lyrics or in a struggle to remember their outlines.
Music Review: The Moody Blues – Go Now – The Moody Blues #1
Blogcritics.org
After buying the single I remember looking for quite awhile before finding a copy of their first album. The album was originally released in England under the title The Magnificent Moodies but was restructured for release in The United States under the name Go Now – The Moody Blues #1. The Moody Blues began as a typical rhythm & blues band playing mostly cover songs. All the group members had had experience in various bands.
Related from Foxpunks: Alejandro Escovedo feels at home in Lexington
Whither The Blues? Music’s future
Laney Tower
The path of the heart the aftermath of love the gritty and bitter outlook that reflects upon the empty bottle of Gin lying in the street somewhere in downtown Louisiana. The feeling and the music known only as The Blues. I was 15 the first time I truly discovered it. Not just the music but also the blues itself. The lights in cafe were dim and the rain poured heavily from the clouds in the sky. There I sat sulking silently in my own mind over a broken relationship while sipping a cup of black coffee.
Kellerman releases second CD of pop songs
San Francisco Chronicle
Her new CD “Sally” celebrated at a recent gig at the Rrazz Room (she’ll be back for the room’s first anniversary gala March 17) might prompt a suggestion that she doesn’t venture much beyond her comfort zone. But by a second listen you get that she knows what works for her and what doesn’t. Covering blues classics such as “Sugar in My Bowl” and offbeat blips in pop music’s past (”Love Potion No. 9″) Kellerman applies a coat of smoke and honey to every song. The few weaker cuts on the album such as “ver ver Night” verge too close to soft rock something that isn’t helped by the passable but predictable musical arrangements. SALLY KELLERMANSALLYTHE MUSIC FRCE$16.
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