The News Review:
- Location: Toot’s Bar – Hollywood
- Get set to shake a leg at SecSat today
- SHULGLD: Painting by musical numbers
Location: Toot’s Bar – Hollywood
Southern Maryland nline – Oct 13, 2007
The 4-piece band features Wave Milor on harp and lead vocals Steve Remy’s soulful and blistering electric guitar Steve “Wolf” Crescenze on electric bass and Chris Ruckman thumping out the rhythm on drums. Acme plays a mix of original material and classic cover tunes going back through the history of blues music. If you like Albert Collins Stevie Ray Vaughn Freddie King Eric Clapton B. King Muddy Waters and The Fabulous Thunderbirds then you’ll be rockin’ when ACME Blues Company comes to your town! ur title track “No Shortage of the Blues” is regularly in the Top Ten list on satellite radio stations in Europe and most recently No.
Get set to shake a leg at SecSat today
Hindu – Oct 13, 2007
Avinash loves punk music and plays bass while Manu holds the band together with his eclectic drumbeats. The band Inside ut will present a selection of their favourite numbers from international artistes such as Pearl Jam Evanescence Lacuna Coil Alice in Chains etc. The Usual Suspects have recruited a blues harp player to play in their band. This will enable them to play the blues genre of music besides other types on Saturday.
SHULGLD: Painting by musical numbers
Rocky Mountain News – Oct 13, 2007
byline –>Saturday ctober 13 2007Music and the visual arts have been kissing cousins for centuries. Uncountable composers have created works inspired by paintings not tomention the lives of artists. But tonight’s 50th season-opening concert by the BoulderPhilharmonic promises a twist on that age-old sym- biotic relationship. In this case a painter will create a work inspired by a musicalcomposition. Boulder artist Nyla Witmore will set up her easel on the MackyAuditorium stage next to the Phil’s cellos and basses and create anabstract painting as music director Michael Butterman leads theorchestra in Strauss’ Death and Transfiguration… I did paint to it – and I loved the result. I will be at therehearsal but once onstage the memory of those earlier paintings willbe erased. She decided to use an assortment of six colors for her abstractinterpretation choosing cool blues and greens early on switching tohot reds and yellows as the music builds to its glorious ending oftransfiguration. Witmore said she’d be more worried about the event if she were askedto create a realistic painting. “With that you’d have to plan yourattack but with abstract you can let the painting tell you where itgoes. It’s all about the moment she said. “A composer always begins bystaring at a blank page.